Sold
View Details
Steps
BAUTISTA, Helene
Cut-out plate with drypoint, aquatint, and sandpaper on white wove paper.Edition of 30.Signed, titled, and numbered in pencil. This composition cou...
View full detailsFilters
color
exhibit
exhibition
format
location
nationality
scale
scape
- abstract
- animal
- cityscape
- desolate
- field
- figure
- interior
- invention
- landscape
- portrait
- quiet
- rugged
- skyscape
- still life
- street
- waterscape
- See more
standard mat size
style
- abstraction
- expressionism
- hyperrealism
- minimalism
- modernism
- negative space
- painterly
- realism
- surrealism
- symbolism
- See more
subject
- animal
- bird
- body of water
- building
- cafe bar
- cat
- city
- crowd
- dog
- fashion
- field
- figure
- fish
- forest
- furniture
- house
- interior
- invention
- leisure
- mountain
- mythical
- nesting
- night
- pattern
- people
- portrait
- shadow
- sky
- social commentary
- solace
- street
- technology
- transportation
- whimsical
- work
- See more
technique
- aquatint
- collage
- color aquatint
- color etching
- color linocut
- drawing
- drypoint
- etching
- linocut
- monochrome etching
- relief
- See more
weather
year
Hélène BAUTISTA
The description of an artist’s work can be prone to pigeonholing. With their distinctively narrative bend Hélène Bautista’s prints could be easily reduced to a definition. Steeped in language, and a trained and practicing French teacher, Bautista clearly relishes telling a good story. The small scale of her linocuts and aquatints can seem deceptively simple. Yet, what makes her visual storytelling so expansive is her ability to suggest the world beyond the compositions edge. Stairs go up, and down. Are we in a library or in a crammed Parisian apartment? Pavement extends to infinity, seemingly. Does it actually only lead to the ticket booth of train station?
Born and raised in the Southern city of Toulouse, Hélène Bautista became a printmaker in 2012. She had always drawn, but was prompted by a vision problem to reassess her activity at that time. Lucky for us, she decided to translate the stories she discusses as a teacher, into drawings, which she shares with us. While Bautista thrives on the strength of contrast in her linocuts, the same monochromatic commitment translates into far soften tones in her aquatints. There’s something for each of us: those who like grayscale and those who like it spelled black on white.
Sold
$225
Variations
BAUTISTA, Helene
Etching, sandpaper, aquatint, glue.Edition of 30. Signed, titled, dated, and numbered “6/30” in pencil.
$225
Insommniac
BAUTISTA, Helene
Insomnie (original French title) Etching and aquatint.Edition of 30. Signed, titled, dated, and numbered “3/30” in pencil.
$160
Her Absence
BAUTISTA, Helene
Aquatint, etching.Edition of 30. Signed, titled, dated, and numbered “3/30” in pencil.
$150
Foot Steps
BAUTISTA, Helene
Linocut, lost plate engraving. Edition of 12. Signed, titled, dated, and numbered “3/12” in pencil.
$150
Foot Steps
BAUTISTA, Helene
Linocut, lost plate engraving. Edition of 12. Signed, titled, dated, and numbered “3/12” in pencil.